Three men in a boat…

...But it’s not a funny story. These three men are the last members of the crew of the Magellanic, the latest in a long line of ghost ships off the cost of Thailand.
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They haven’t been paid for months, they have no money to buy food and get by on what they can fish, and they can’t disembark because their Visas for Thailand have expired.
The men are from the Philippines but it doesn’t look as though their embassy is very interested in repatriating them.
The situation doesn’t even seem to interest the authorities in Panama, which is where the Magellanic is based.
The ship-owners are Greek and their Manila-based agent is keeping a low profile.
All this information comes from the only person who is showing any concern for these men, a woman already mentioned on this blog: Apinya Tajit, from the local Apostleship of the Sea.
She has sent a string of e-mails from which one surreal truth emerges: these men are trapped in an inextricable net with seemingly no way out.
The Magellanic is one of those ships that sail on an ocean with no name.
This is not a funny story and maybe not one that people find particularly interesting.
But Apinya hopes that writing about it will prove useful.
I don’t think so, but I’ve done it anyway.

Message from a ghost ship..Help...We want to go home.
LETTERA
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Flows, Part II

“Free Flow”, the theme announced by the Bangkok Design Festival, sounds ironic considering that the disastrous flood that recently hit Thailand – and especially its still potentially devastating consequences – isn’t over yet.
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But the festival’s Flow intends precisely to contrast the one that has devastated the country. It’s already happening, thanks to the power of intelligence and creativity, with the exhibition organised at the Bangkok Art and Culture Centre, called “Let’s Panic”. The exhibition has a great impact on the public, turning survival in a monsoonal country into a show, highlighting the positive. But its main feature is representing the essence of danger, within and without.
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These are the streams and flows of consciousness that cross paths in the midst of chaos and, in spite of the surrounding catastrophes, generate energy and form a current of seeming coincidences.
And so, after the flows of innovation in Singapore, here come the flows of Bangkok, which are unavoidably interconnected. And the cover of the art, architecture and design magazine art4d, which titles its latest editorial “Free Flow”, is dedicated to Gaia Scagnetti – a young Italian researcher who specialises in information design. She teaches in the Faculty of Architecture at Chulalongkorn University in Bangkok, and has recently concluded an exhibition on human interrelations and on the flows of reciprocal knowledge.
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Speaking with her – perhaps because of her background in complexity science – helps us to understand the beauty of the collapse of this megalopolis, which doesn’t change either on the wave of globalisation or with the rains, but metabolises and regenerates these flows, giving beauty to chaos. It all seems so complex, and it is. But it’s a way of detaching ourselves from the Western World’s inescapable linear logic. Here there is no flow, but a vortex which transports us to another dimension
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